- Writed by - Micah Ranum
- genre - Thriller, Action
- average Ratings - 6,8 of 10
- rating - 2142 Vote
- Country - Canada
- Release Year - 2020
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0:10 to 0:11 I mistook this voice for Rebekha from The Vampire Diaries, belive me it really does sound like her.
Oh great. The umpteenth action movie using quick cuts and extreme close-ups to cover up for the fact that these actors are inept at action scenes...
Critics Consensus No consensus yet. Tomatometer Not Yet Available TOMATOMETER Total Count: N/A Coming soon Release date: Audience Score User Ratings: Not yet available The Silencing Ratings & Reviews Explanation Where to watch Other Movies Rate And Review Rate this movie Oof, that was Rotten. Meh, it passed the time. It’s good – I’d recommend it. Awesome! So Fresh: Absolute Must See! What did you think of the movie? (optional) You're almost there! Just confirm how you got your ticket. Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango or AMC App New Enter your Ticket Confirmation# located in your email. More Info Cinemark Coming Soon We won’t be able to verify your ticket today, but it’s great to know for the future. Regal Theater box office or somewhere else By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Movie Info Rating: R Runtime: 93 minutes Cast Critic Reviews for The Silencing All Critics (1) | Fresh (1) The Silencing suffers from a lack of character development and an overuse of shaky cam in its action sequences, but it's saved by the excellent performances and moments of genuine tension throughout. Audience Reviews for The Silencing The Silencing Quotes There are no approved quotes yet for this movie. Movie & TV guides.
I wanna see the losers kids look back over their parents history in an it chapter 3. He can be a decent Joel. Who's here after season 3 💔. I love her because she can eat durian. Yeahh... Looks exactly like wind river but set in the woods.
John Wick: The Feminine Edition
Omg im rlly exciced about this. This is all a lie because hes actually said several times hes never had a proper relationship yet so. The question is not WHY this is the best netflix series but it's WHEN will everyone realize that. This gave me major the last of us vibes you know. nicolaj as Joel wouldnt be a bad choice.
There was so much back-and-forth and around and around that I got impatient. It was too many suspects in the movie. Once the killer was revealed, I had three big questions: really? huh? And what? The person that was the killer didn't make any sense. When you watch this movie you'll know what I mean. What saved this movie was the acting. I would say, watch this movie on a day when there is nothing else available to watch. Gosh I wanna see this movie so bad. ITS MINE HERO CIOÈ HARDIN. A serial killer is hunting teen girls in the deep Minnesota woods. Sound familiar? It falls to Nikolaj Coster-Waldau (Jamie Lannister on Game of Thrones) to bring down the culprit. To be fair, the Danish actor goes the extra mile in The Silencing (on VOD starting August 14th), which is more than you can say for the pedestrian work of director Robin Pront and screenwriter Micah Ranum. Coster-Waldau’s character, an alcoholic hunter named Rayburn Swanson, has been trying to track the whereabouts of his daughter, Gwen, who went missing five years ago when she was just 14. Rayburn had left her in his truck while he freshened his booze supply. Guilt is eating at him, though it’s clear he’d been drinking heavily before her disappearance. Why? That kind of character detail goes frustratingly unexamined. Even though a chastened Rayburn has stopped trapping game to run a wildlife preserve (Gwen hated his animal cruelty), his love of liquor continues unabated. Maybe that’s because his ex-wife is now pregnant by another man and wants Rayburn to sign a death certificate for their child, so they can achieve closure with a funeral. He resists, refusing to give up hope, and outfits his cabin with high-tech surveillance equipment. Living with his dog Thor, this hunter stays vigilant in case the killer strikes again. It’s only a matter of time. No sooner is the dead body of a young woman found with her voice box slashed (the silencing! ) than Rayburn’s security cameras show someone in full ghillie suit camo, chasing another screaming girl. Our hero takes off in hot pursuit, yet his rifle proves no match for the killer’s weapon of choice: an “Atlati, ” a spear that can deliver speeds of 100 mph. That’s more than enough to slow down Rayburn until he can cauterize the wound in his shoulder, Rambo style, and get back on the killer’s trail. He’s not alone. There’s a new Sheriff in the town of Echo Falls. She’s Alice Gustafson (Annabelle Wallis) and she feels this is her case, not Rayburn’s. She also has a personal connection to the crimes. Her troubled brother, Brooks, played by a brooding Hero Fiennes Tiffin (nephew of Ralph and Joseph Fiennes) has been found at the scene and looks like the prime suspect. Guilt is eating away at Alice since she abandoned Brooks after the death of their parents to start a police career in Chicago. That left the boy in the care of unseen scary people. ”What did they do to you in that barn? ” asks Alice, as if afraid to hear the answer. No worries. As usual, the script tells us nothing. In fact, The Silencing fills its 97 meandering minutes with false leads that grow ever more frustrating. Coster-Waldau and Wallis, so good in Peaky Blinders, do their best to promote a rooting interest in characters the script never bothers to develop. Though the film generates some tension in the cat-and-mouse game that Rayburn plays inside and outside the law, the final reveal seems to come out of nowhere. You can see this kind of slow-burn thriller done much better in movies like Wind River and shows like HBO’s True Detective. Even in these pandemic times, when we all hunger for escapism, this long journey to a lame ending hardly fills the bill.
Hands down best show ever! Perfect script, acting, soundtrack. 10/10.
People are wayyyy too invested in these type of films/tv-shows to a point where it becomes an unhealthy obsession to pry on the actors. They need to understand that actors play a character and they need to stop dictating who these actors with cause it's none of their business. These people aren't fans but stalkers. SCARY.
Common Sense Age 16+
UHD
CC
Action & Adventure
1 Hour 34 Minutes
2020
4. 5, 10 Ratings
Rayburn Swanson (Nikolaj Coster-Waldau, "Game of Thrones"), a reformed hunter, leads a reclusive life on a wildlife sanctuary, haunted by the mysterious disappearance of his daughter five years ago. When a young girl who resembles Swanson's daughter is murdered, Swanson takes the law into his own hands. As Swanson sets out on the killer's trail, so does the local sheriff (Annabelle Wallis, "Peaky Blinders"), ensnaring them both in a cat-and-mouse game with the murderer in this crime-thriller filled with white-knuckle suspense.
Rent $6. 99
Buy $9. 99
Ratings and Reviews
16+
COMMON SENSE
Solid but violent mystery-thriller has good performances.
Information
Studio
Lionsgate
Released
Copyright
© 2019 The Silencing LLC. All Rights Reserved.
Languages
Primary
English (Stereo, Dolby 5. 1)
Accessibility
Closed captions (CC) refer to subtitles in the available language with the addition of relevant non-dialogue information.
Movies in Action & Adventure.
I've heard that a real hero dates one of the women in the video whose name is Alex Lategan they often hangout there are photos when the hero has a rose in his mouth while carrying her. To hear him say my name. I think I died. The Quiet Canadian: Pront Returns to the Woods with Canadian Thriller Belgian director Robin Pront reveals his fixation with rural neo-noir in sophomore film and English language debut The Silencing. With both title and extravagantly macabre but finicky murders reminiscent of past gloriously grisly whodunits such as The Silence of the Lambs (1991), Pront’s footing on Canadian soil feels less self-assured than his moody 2015 debut The Ardennes (read review). A pair of fine performances from its lead actors makes the over churned narrative a bit more palatable, but the script from first time scribe Micah Ranum feels as overstuffed as it is derivative, focusing on loose strands and red herrings when stronger character development could have allowed for a greater sense of empathy and anxiety for the damaged denizens of a rural Canadian hinterland. Rayburn (Nikolaj Coster-Waldau) was once a notorious hunter, now reduced to the shell of a man he once was, working as a ranger preventing others from hunting on a wildlife sanctuary. Five years prior, his daughter was abducted, which ruined his marriage. Just as his wife moves on with a new relationship and desires to have their missing daughter declared dead, the corpse of a young woman, her larynx seemingly removed, is discovered in the small Canadian community. While he’s relieved the woman is not his daughter, the discovery sets off a chain of events. The new Sheriff Gustafson (Annabelle Wallis) now has a homicide investigation on her hands, which is jeopardized by her younger brother, local miscreant Brooks (Hero Fiennes Tiffin). While the Sheriff is afraid Brooks might somehow be involved and seems willing to compromise herself to assist him, Rayburn sees something frightening on the elaborate surveillance he’s placed on the sanctuary, and sees what he believes to be a heavily camouflaged hunter in pursuit of a scantily clad young girl. Pront’s biting debut focused on backwoods Belgian brothers living in the titular terrain of The Ardennes, where the vicious realities of violence and survival were apparent in every frame. To be fair, Pront inherited the property from director Anders Engstrom, a director well-versed in television, and thus perhaps had less of a hand in crafting the scenario from scratch. Nikolaj Coster-Waldau continues to impress with another insular, brooding and broken protagonist, and one can count his portrait of Rayburn as a growing testament to his presence, following on other indie and arthouse titles like Shot Caller and this year’s No Exit from Jonas Arnby. If only we got to spend just a little more time examining his transition from a notorious hunter to the ranger charged with protecting a wildlife sanctuary perhaps the film could at least have sported some statements about mankind’s lust for hunting quelled only through personal trauma (not unlike the De Niro character in Cimino’s The Deer Hunter, 1978). The same goes for Annabelle Wallis’ newly minted Sheriff, a woman who makes questionable choices thanks to desperate allegiances and formidable guilt, often presented merely as mechanisms to tie the narrative efficiently into a charging Choo Choo Train of inevitability. And perhaps this is what marks The Silencing particularly unsuccessful in tone or mood because it never takes a breath, never lets us rest in discomfort or trepidation. By the time the film’s culprit is revealed, with motives a bit too flimsy to take seriously, we’re left with all kinds of questions about significant details, which ultimately negate the film’s reason for existing in the first place. At the same time, it’s a beautifully photographed study in winter land peril, shot by the best arthouse genre cinematographer working, Manu Dacosse ( Alleluia, 2014; Evolution, 2015). ★★½/☆☆☆☆☆.
You would figure that in this day and age movies would need something more to be approved. A true story, or based on true events, unjust conviction, innocent and found guilty. I mean there are thousands of real stories out there that are interesting, thoughtful and memorable.
Why spend money, time and effort and make an average film that probably barely break even, especially in a time where the biggest bang for your buck, the theaters, are shut down?
I always hope hollywood will get better at making films but they never seem to do.
Theo in glasses is everything 🥰😍. I feel like they're trying to make us think that they gave us the whole film in the trailer but it's actually completely different. He cant talk but he can bloody well run lol.
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